Crowning Glory

“Dearest Future Queen, you are enough.”

I had the pleasure of catching Crowning Glory, the debut play by actress Somalia Seaton, the day before it ended at Theatre Royal Stratford East.

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TRSE is one of my favourite theatres in London, particularly for unexpected, edifying plays, and Crowning Glory didn’t disappoint. I was struck by the set when I first walked in – it was jagged and at an angle, with a couple of movable screens which were later used for projections of video. It felt pared back and minimalist, which really suited the content. The dialogue was poetic – a series of monologues blending performance art, poetry and dance to uncover the complicated relationship between black women and their hair.

There were all sorts of perspectives – tomboys, mixed race women, women wearing weaves, one who cut her hair off, the Black Panther – the list goes on. There were also memories of growing up in African and Caribbean households and a humorous but searing take on the relationship between generations of black women, their daughters and their hair.

 

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What struck me about this multifaceted play was that there was something for everyone to identify with, regardless of where you find yourself on the spectrum of natural-relaxed-weave-braided hair. The play threw down a challenge to the European paradigm of beauty and urged Black Women to see that they are beautiful too – and this is important for us to remember because our little girls need to hear the message too.

And the message was this: You are enough.

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