The 1.5 per cent

No, not the richest among us.

That would be the 1.5% of UK television made by a Black director. I’m just going to leave that here.

This is actually a stat from research  published last month by Directors UK (yes, still working that bookmark flex)

“We found that BAME directors are not only critically under-represented and under-employed in UK television as a whole, but that they are being given a far smaller proportion of directing opportunities in many key programming genres. Some of the most popular drama, comedy and entertainment shows had never been directed by a director who is of black, Asian or minority ethnic background – including all programmes within our sample from the following genres: period drama, chat show, game show, performance, reality, panel show, sketch comedy, and children’s comedy and entertainment.”- Directors UK

This matters. A lot. The entertainment industry is powerful; it’s where we tell our stories and have them told back to us, where issues are explored, mores challenged, issues aired. It’s not the only place, but it’s one of the most influential.

Our storytellers matter.

The report has recommendations too. It’s so easy to focus on on-screen talent, because it’s the most visible, but what goes on in the backroom is just as, if not more important because it shapes how these stories are told. It’s also a much less transparent process, merely by dint of the fact that these creatives are rarely seen.

 

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